The Boston Globe

Brahma the creator appears as a stand-up comedian working through gender-assignment issues on stage. Vishnu the protector appears as a tough-girl avatar named Kalki, who saves a couple of outcasts from the dangers of high school. And Shiva the destroyer sails her mattress on a “cosmic ocean” while trying to navigate post-colonial identity and post-concert T-shirt sales…

DigBoston

I’ve never cried during a stand-up routine, at least not until I saw “Brahman/i”... More than a string of jokes — though Brahman/i does serve up a potent pot of jabs that tackle post-colonialism, sexuality, family, lazy Americans, and acceptance — the two-hour show reveals the insecurities, heartbreak, and, ultimately, acceptance, of someone who grapples with identity…

Twin Cities Daily Planet

See any one of Displaced Hindu Gods. Better yet, see all of them—together, spaced out over several nights, doesn’t matter. You should see these plays. Great writing, great direction, great design, great acting. All three stories are very different in style and tone, but they all have a smart sense of humor driving them, which makes them entertaining as well as thought-provoking…

Lavender

Aditi Brennan Kapil takes traditional male Hindu archetypes and feminizes them into Western situations in her remarkable new play trilogy… The Chronicles of Kalki is quite simply breathtaking. This sexually raw tale of three teenaged girls - one reticent, one cynical, and one astoundingly daring - plays with our sense of what is real and what is not…